"Denmark" by Wonky Tonk from Mopics on Vimeo.
Jasmine Lorraine “Wonky Tonk”
Poole grew up in the hard scrabble portion of the American heartland.
Kentucky, to be precise. Her world of loss and longing is familiar
terrain for lovers of country, bluegrass and folk music but, just as
Kentucky can be viewed as a bridge between north and south, Wonk’s music
blends elements of indie/alternative rock with old school country. It’s
hard to separate the wonk from the tonk. Nor should you try.
Wonk’s
influences, John Prine, Guy Clark, Modest Mouse and Loretta Lynn among
them (especially Loretta), are apparent but her music is not derivative.
Loretta, Skeeter Davis, Iris Dement and Jenny Lewis come to mind but
none of her comparables quite pin her down. Wonk is her own cowgirl.
“Cowgirls get up in the morning, decide what to do and do it”, she was
told as a child. Fiercely independent but naturally shy Jasmine uses her
alter ego and blue cowgirl boots to deal with the notion of impossibly
cruel but equally exhilarating existence.
Her eleven song debut release Stuff We Leave Behind deals
with the necessity of moving on at critical points in your life. Stuff
that once seemed important must be cast aside, ex-lovers relegated to
the shadows. “Heartbreak makes the jukebox play”, she was once told. Her
song titles reflect her wandering spirit and a fascination with time
and place. “Cleveland.” “Denmark.” “Tennessee.” “Montague Road.” A
veteran troubadour at such a tender age, Wonk has toured Europe with the
same restless drive as her native Northern Kentucky.
Tom
Robbins told us that even Cowgirls Get the Blues but all is not remorse
and regret. Jangly sunshine pops through the clouds unexpectedly, such
as in “Parkland Avenue”. Though softly. Without the glare. The album
tracks her evolution as an artist and a person. The gravel, rutted road
to an emerging wisdom.
No comments:
Post a Comment