Brad Creel & the Little North Forkers - Get My Baby Out of Jail

Vigilantes of Love - Resplendent

Jakob Dylan & Three Legs - Nothin' But the Whole Wide World

Acuff Roses - High Fashion Queen

Flatland Travelers - Spring in My Step

Creepy Jones - I'll Be Your Movie Star

40 Dollar Fine - Truck Stops in the Sky

The Devil Makes Three - Old Number 7

John Hiatt - The Open Road - SXSW 2010

SXSW Wraps Up

John Cowan and Friends - Carla's Got a New Tattoo

Michael Gaither - High and Lonesome

Guy Clark - Dublin Blues

Francifornia - The Diner on Main Street

Markus Weyrauch - Strange Thoughts Graze My Mind

Sweet Soubrette - Permanent Record

Avett Brothers - Denouncing November Blues (Uneasy Writer)

Rhythm Angels - 29 Ways

Dave Shiflett & Friends - Afternoon Lamentations

Afternoon Lamentations was recorded live Saturday and Sunday, Aug. 29-30, at SounDog Recording in Richmond, Virginia.

Unpolished and unrepentant, the tracks include a few instrument/mic stand collisions, a bit of heavy breathing, and some lean-in vocals. Harmony vocals and one cello track were added Sunday evening and Tuesday, Sept. 1.

All music and lyrics by Dave Shiflett, who plays the guitar and sings. 

Also performing:

Matt Boon: Bass; Tripp Johnson: Mandolin; Jenny Johnson: Banjo; Jim Skelding: Violin; Doug Austin: Mando-cello; Johnny Hott: percussion; Alexandra Spalding: harmony vocals, cello; Recording engineers: Bruce Olsen, Adrian Olsen. Mixed and mastered by Bruce Olsen. 
DaveShiflett.com

Denny Earnest - Hesitation Blues

James Power - Goodbye, Lillie Mae

Steve Whiteaker - Take It All Away

NORWAY’S VERY OWN WILLIAM HUT STRUMS A PATH TO AUSTIN, TEXAS FOR SOUTH BY SOUTHWEST 2010

SOLO ALBUM #5, SILENT HUM, IS AVAILABLE NOW

Rare is it that a musician with such a cultured and refined variety of interweaving influences find their way to the U.S.  William Hut, a true Norwegian star, has a smooth, lush, heartwarming sound that echoes the songwriting prowess of Rufus Wainwright and James Blunt.  He is praised internationally for his work with Norwegian Grammy winners Poor Rich Ones, and received rave reviews for his five solo albums, The genre-dipping pop sound of William Hut is sure to stop listeners dead in their tracks. His first to hit the scene, Road Star Doolittle, was placed on Rolling Stone critic Rob O’Connor’s list of top 10 albums released in the U.S. in 2003.  Versus the End of Fashion Park, his following LP, produced two radio hits in Norway and was described by Uncut Magazine as, “...warmly sad, high on heartbreak...[a] wintry classic.”  Hut’s third album Days to Remember earned him a Grammy nomination in his native Norway, and his fourth album Nightfall sold more than 30,000 copies.

William Hut’s sound ringing from his fifth album, Silent Hum, has an instrumentation unlike any other that consists of grinding organs, military-style drumming, a horn section influenced by Chicago’s older days, and an electro-acoustic blend of folk guitars. Thanks to the heartfelt songwriting of Hut and his production masterminds, Bjørn Bunes and Mark Nevers, the result is a lush, organic blend of heartfelt Pop, Rock, and Americana.

Hut now looks toward the stars of Austin, Texas in preparation of his upcoming appearance at the annual South by Southwest festival.  Be sure to stay tuned for more info on this event that will change the way America hears Norwegian-infused Americana. .

Silent Hum is now available on iTunes and Platekompaniet.

Alan Bibey - St. Louis Blues

James Benton - Single Shining Moment

Talk Stoop: Clay Walker

JimBo Trout - St. James Infirmary

Melissa Benjamin - Southern Spitfire

The Steel Wheels - "Red Wing" - Official Release March 8, 2010

Unlike his Amish grandfather who had to form a string band on the sly, Trent Wagler is anything but shy about making music with The Steel Wheels. But like that harmonica-playing grandpa, the band both respects and breaks tradition with every note. Take the title track of the band’s new album, Red Wing. When Wagler, the band’s primary songwriter, heard the tune throughout his childhood while visiting family in Bean Blossom, Indiana, it was always played as an upbeat reel; he thought it was better as a slow, melancholy song, so he reinvented it with his own words. The Steel Wheels recorded it in a Shendandoah Valley cabin hideaway with internationally known folk harmonizers Robin and Linda Williams. This is a quinessential Steel Wheel’s project: taking a beloved traditional tune and making it new again, inspiring a wide range of fans.

The Steel Wheels are truly an Americana band, rooted in musical styles that explore the territories between blues and bluegrass, old-time sing-alongs and foot-stompin’ fiddle tunes. They are subtle innovators who respect the past but whistle their own tunes, layering in rich textures and decidedly modern energy to forge a new sound.

They fit best among musicians like Langhorne Slim, Gillian Welch, or Adrienne Young and Little Sadie (with whom they’ve shared the stage) – deft musicians making a name for themselves by creating their own particular permutation of traditional forms. Yet the Steel Wheels share much with new Americana favorites like the Avett Brothers or Old Crow Medicine Show, with charisma that causes toes to tap and heads to nod, audiences hanging on their every word. Like those bands, The Steel Wheels have broad appeal. And they count among their fans former Statler Brother Jimmy Fortune and indie folk darlings Over the Rhine.

The four-piece band is based in the Blue Ridge Mountains of Virginia, where multi-instrumentalist Jay Lapp was born and took inspiration from church hymns and folk fests, and where Trent Wagler has been a scene staple for nearly a decade. Lapp was touring with several successful Midwest bands when he and Wagler crossed paths in Harrisonburg, Virginia, and a musical partnership began. The two are joined by upright bassist Brian Dickel and fiddler Eric Brubaker to form the Steel Wheels. The band shines exceptionally in their live shows, and their palpable chemistry translates easily to Red Wing. Just listen to the exceptional four-part harmonies that support and accentuate Wagler’s scratchy tenor, which has been compared to that of Darrel Scott. Brubaker’s fiddle, both lively and evocative, suits the band exactly, and Dickel’s upright bass grounds the outfit. Jay Lapp’s signature mandolin style is remarkable and unmistakable.

Red Wing is a testament to the many forms roots music can take, from the catchy Long Way to Go to the gospel-inspired, folky-blues rollick of Nothing You Can’t Lose, a song that makes you want to stand up and say “Amen!” Red Wing is punctuated with instrumentals – nearly a lost art – including the luminous Second of May, composed by Lapp, and two fiddle tunes from Brubaker. Restless yet poignant harmonies in Dance Me Around the Room invite the listener to linger with the album. Also noteworthy is Surround Me, an a capella powerhouse that the band recently performed live on WDVX’s “Blue Plate Special” broadcast in Knoxville.

The Steel Wheels have built a following from the East Coast to the Midwest and beyond, appearing at Americana festivals such as the Bristol Rhythm & Roots Festival, Floydfest, Folk Alliance, and Appalachian Uprising. Wagler and Lapp also regularly take a duo show to Ireland and have appeared with Peter Rowan at the ‘Ards International Guitar Festival.

In keeping with their music that takes a traditional idea on a modern adventure, Wagler and Lapp’s organized a week-long, 300-mile bicycle tour last year. Not only did they pedal themselves through the mountains of Virginia to seven gigs in seven days, they hauled their own gear the whole way, with one bicycle custom-framed for travel and another fitted with a trailer. It’s one more example that with inherent skill and energy, trust in the value of simplicity and a marked talent for taking something old-fashioned and making it relevant for today is one of The Steel Wheels’ greatest strengths.

The Steel Wheels are currently touring the U.S. in support of the new album.